Interested in Hindu ethics, I intend to base my research in Valmiki’s ancient Sanskrit epic, Ramayana. The essential plot has endured innumerable interpolations, variations, redactions, vernacular translations, and local retellings since its composition over two thousand years ago. The themes enshrined in Valmiki’s exquisite Sanskrit verse remain quintessential aspects of Hindu imagination and culture, influencing art, politics, narrative, and moral instruction on all levels of society. Throughout the Hindu world, Rama, the epic’s protagonist, is regarded as the exemplar of social and moral conduct, one whose story continues to inculcate social and moral paradigms throughout the “Hindu world”. His actions as son, husband, brother, friend, king, warrior, et cetera effectively outline current Hindu values. The work’s major characterizations indeed all persist as moral and social archetypes despite the drastic shifts in regime, social condition, and cultural ethos that have occurred since their conception centuries ago. Thus, Valmiki’s Ramayana is uniquely poised to speak to lasting ethical values within the Hindu religious tradition.
Intriguingly, the perseverance of Rama’s role as an ethical ideal sharply contrasts with the tradition’s displacement of the cultural ethos pervading Rama’s society. Throughout the work, the warrior-prince restores and defends social order, exhibiting unflinching optimism about the word’s ability to provide happiness for humankind. Valmiki’s emphasis on world-enjoyment is undeniable: the work culminates in the seventh book where Rama’s ascent to kingship inaugurates an utopian regime on earth. However, the poet’s idyllic humanistic vision ideologically opposes the world-denying philosophy that currently pervades Hinduism. The tradition has evolved drastically over the centuries, becoming far less optimistic about the material world’s ability to provide enduring happiness for humankind. The overall consensus appears to be that nothing of this universe ultimately endures, not even the universe itself. Most Hindu school of thought regard the terrestrial plane a domain of incessant suffering, one which humankind must ultimately reject and transcend in order to escape samsara – the painful cycle of birth, death, and rebirth perpetuated by karma, i.e. human action. Material (earthly) enjoyment is considered illusory: worldly attachment obstructs the pursuit of liberation from samsara. The tradition’s esteem for Rama as a moral exemplar persists in tandem with its overall subscription to an utterly world-denying philosophy. How can this be?
I propose a critical analysis of the Ramayana framed by this particular tension. I shall subject the original Sanskrit work to close reading and literary analysis, scrutinizing Rama’s ethical decisions in the hopes of clearly identifying the ideological values advanced by Valmiki. One some such decision is when Rama graciously accepts exile at the behest of his scheming step-mother, thereby forgoing all social ties and responsibilities, a decision occurring on the very day of his would-be ascent to kingship. I will consider the extent to which Rama’s actions align with one seeking liberation from the world as opposed to one pursuing an earthly utopia. The mutual exclusivity of these pursuits must also be addressed. This inquiry is rendered all the more pressing in light of recent developments in Indian politics (particularly surrounding the Ramjanmabhumi Conflict in1992) where Hindu leaders have succeeded in militarizing the Rama archetype, invoking it to incite and justify mass communal violence and destruction. This sharply contrast Rama’s primary role throughout the tradition as an embodiment of compassion and object of intense devotion. Valmiki’s ancient hero continues to dwells in the hearts of countless Hindus, inspiring both love and war, depending on the interpretations and interests informing their actions. This study aims to distil an academic position on these questions concerning "Rama's example".
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5 comments:
Hi Raj,
Such an interesting topic. After taking that Ramayana course with Arti Dhand last year, even I wanted to learn Sanskrit and write a grad dissertation on it! You're much more qualified than I am, though, so I'm sure your paper will be great.
Now, it's a very descriptive proposal so I wonder if some of the details should be trimmed down. And what do you think about making the final paragraph your opening? Because it clearly states your topic, approach, and the issues at stake.
Remember, everything here is my opinion, which I do not consider to be directly representative of the reality of grant applications. You can start every sentence with "I believe..." in your mind.
Small things first:
There are a number of small typos and grammatical problems. This may be a rough draft, in which case this may not be of much significance.
Larger issues:
My overall impression reading your proposal was that it lacks focus and clarity of purpose.
Really focus, especially in your first two paragraphs on clearly stating: 1) What you are researching; 2) How you are going to research it; and 3) Why it is important.
You sound like you have three projects here: 1) Exploring the morality of the Ramayana; 2) Explaining the seeming contradiction within the tradition of the esteem for Rama, and the world-denying philosophy; and 3) Investigating the use of Rama as a symbol to ignite communal violence. There is no way you can adequately accomplish all of this in one master's paper, nor in a book, or perhaps even three books! You really need to focus the scope of your study into something that is clear and achievable.
Also missing here is a clear statement of methodology. This should have its own paragraph, and cite the primary, secondary and tertiary sources that may be important to your work. How does your work fit into the existing scholarship on the subject?
What is also unclear is how your study will be focused time-wise. Will it focus on contemporary understandings? Historical? Both? Who's beliefs and understandings will you be investigating? You've mentioned your own reading of the Ramayana, but have not told us your source(s) for information on the world-denying philosophy. Will you be referring to existing scholarship to aid you in your interpretation of the text?
You need to focus on these issues, and much, much less on explaining the content of the text. I would focus on the significance of the text in Indian culture (and pick a particular time period), and explain it in two or three sentences.
Your enthusiasm is palpable here, but if I was evaluating it as a project, I'd have more questions about what you were going to be researching than answers. So, keep up the enthusiasm, but increase the focus!
If you want any more advice on this or future drafts, don't hesitate to ask!
Wow, Raj, I wont rip you like Andrew did or offer you any of my expert advice on your proposal, but I do somewhat agree that your posposal is somewhat stuffy and doesnt really show much of your interest in the subject at large or your background.
I may not know as much as Andrew, but I generally agree your proposal lacks focus, but not to a degree that cant be easily salvaged.
Raj knows I do it out of love : )
Hey Raj,
Nice to see you today!
I've posted the results of my research into bio details in the comments section of my blog. I'm not sure how useful it is, and cannot guarantee its accuracy!
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